Our identity is forged in choreographic and movement research, with an intention to widen the modes of expression related to the body in representation in crossings with other artistic disciplines.One of the choreographic aspects of this work, would be to affirm and to pursue our research through the reconstruction and the transformation of signs (behavioral, identical) which compose our cultural, social luggage.

The confrontation with a semantic form, with its relational, spatial and composition values, follows a choreographic journey articulated around language.
This articulation, around the notion of sense allows us to cross new and engaged expressions and hence to conquer our acts: devoted, impulsive, poetic, fragile.
The project "embrace" will integrate within its process the creation of a textual score which will be developed by two feminine authors, one is a writer, the other a poet.
Two masculine bodies, two femminine voices.Two ways. At first an embrace, two interwined bodies.An articulation of this particular situation in relation to the other.
In filigree, a thematic bridge towards the physical notion of "burning", seen as an altered mutating emotional state.
The choreographic process will be questioned, in its matrix, by its confrontation with the stylistic values of both texts, and in the the same way the textual development will be fed by its relation to the choreographed act.
How the sense of a narrative rubs itself on a physical identity based on abstract, dynamic, temporal notions. And how a physical, symbolic and emotional relation of the bodies can be confronted with values of more synthetic, essential, structural writing as those of poetry.
The correspondence of both creative lines will tend to multiply points of view of this score in several voices, to merge momentums, to question sense, senses. "embrace " will gather as a symbolic receptacle the essences which will transport this choreographic journey in its continual projection to create relation.
A reflection on the existence of one through the other.